h i j Evans, Mark (1975). This was unusual for Steiner who typically refused to compose a score from anything earlier than a rough cut of the film. He added musical touches to significant scenes. 55 56 James Newton Howard, who composed the score for the 2005 remake of King Kong, stated that he was influenced by Steiner's score; his descending theme when Kong first appears is reminiscent of Steiner's score. In D'Arc, James; Gillespie, John. 18 : Steiner's first job was for the film Dixiana ; however, after a while RKO decided to let him go, feeling they were not using him. The jangling continues until the wife asks Leslie to take off her shawl, after which the theme blasts indicating the breaking point of emotions of these women. 2 :30The most important motif in the film is the theme of betrayal relating to how Gypo betrays his friend Frankie: the "blood-money" motif. However, many of his future film scores such as Dark Victory (1939 In This Our Life (1941) and Now Voyager (1942) had frequent waltz melodies as influenced by Eysler.
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Kate Daubney attributes the success of this score to Steiner's ability to "balance the scheme of thematic meaning with the sound of the music." 10 :46 Steiner used motifs and thematic elements in the music to emphasize the emotional development of the narrative. Because Steiner scored the music before and during film production, Ford would sometimes shoot scenes in synchronization with the music Steiner composed rather than the usual practice of film composers synchronizing music to the film's scenes. 5 Scoring for RKO (19291937) edit By request of Harry Tierney, RKO hired Max Steiner as an orchestrator and his first film job consisted of composing music for the main and end titles and occasional "on screen" music. Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir, Rutgers Univ. 2 3 4 He was named after his paternal grandfather, Maximilian Steiner (18391880 who was credited with first persuading Johann Strauss II to write for the theater, and was the influential manager of Vienna's historic Theater an der Wien. His preferred and best instrument was the piano, but he acknowledged the importance of being familiar with what the other instruments could. 2 :18 He turned down several offers to teach film scoring technique in Moscow and Peking in order to stay in Hollywood. 37 :319 Steiner received his third and final Oscar in 1944 for Since You Went Away (1944).